HINT - Click on picture to be taken to submission guidelines
Details
Anthology: Silent Nightmares-
Editor: Chuck Palahnuik & Micheal Bailey
Open Dec 1 - Dec 31st
Pay: 10 cents per word
word range: 5,000 max
Simultaneous submissions? No
Reprints? No
Description
Haunting Stories to Be Told on the Longest Night of the Year.
An anthology of dark holiday horrors
Submission Hints
Instant rejections: reprints, excerpts, nonfiction, young adult, poetry, romance, erotica, gore for the sake of gore, violence for the sake of violence, works that contain hate speech or discrimination of any kind other than to fight against such horrible things, and anything generated by A.I.
Personal Insights
I am following the creation of the documentary Michael is involved in! It looks great.
Here is his bio:
Michael Bailey is a recipient and nine-time nominee of the Bram Stoker Award, a five-time Shirley Jackson Award nominee, a multiple recipient of the Benjamin Franklin Award, and an insane number of independent accolades (see the accolades page for a full list). He has written, edited, and published many books. His latest is Righting Writing, a nonfiction narrative about dedication to the craft. He is also the screenwriter for Madness and Writers: The Untold Truth, a creative documentary series about writers.
Details
Anthology: Poisoned Soup
Editor: Wendy Dalyrmple & Grace R. Reynolds
Open Dec 14 - Dec 31st
Pay: 8 cents per word
word range: 1,000 max
Simultaneous submissions? yes
Reprints? No
** Capping at 500 submissions, so get in early
Description
Poisoned Soup for the Macabre, Depraved and Insane: Nostalgic Terrors
What We Are Seeking
A pinch of poetry, a dash of drabbles, a frisson of flash fiction… mix well together in a cauldron
of nostalgia and what do you get?
A recipe that's dastardly, delectable, and pure poison.
Welcome to Poisoned Soup for the Macabre, Depraved and Insane, an anthology like no other
designed to inspire, soothe, and satisfy the dark hearts of Horror lovers everywhere.
The genre stirs a sense of nostalgia for us all, through vintage television hits like Tales from the
Crypt and Elvira’s Movie Macabre, to famed comics such as Adventures into Terror and Weird
Tales.
Give us your nightmares, your childhood frights, your sleepaway camp mysteries. Tell us
how Clive Barker tricked you into a ride on The Midnight Meat Train or which episode of Are
You Afraid of the Dark? made you sleep with the light on. When you stare into the shadows,
what do you see? What whispers and caresses your ears with shadowy tendrils? Where does your
mind go as you conjure unimaginable apparitions just beyond your reach?
Submission Hints
We want to know… when did Horror take root for you?
Poisoned Soup for the Macabre, Depraved, and Insane: Nostalgic Terrors is a collection of
original fiction, poems, and essays where new and seasoned horror writers recount their
first experiences with the genre.
A mix of terror, inspiration, comfort, and reassurance, this
anthology offers a powerful experience for those who seek to create and consume stories that
transcend the page.
Personal Insights
I've never successfully sold to this press, but I sub everytime I see an open call.
Details
Theme: Strange Forms
Open Dec 1
Pay:8c a word
Word range: 1200 max
Simultaneous submissions? yes
Reprints? No
Description
Baffling Magazine is a quarterly online magazine of flash fiction. We love fantasy, science fiction & horror stories with a queer bent.
Submission Hints
We are looking for speculative stories that explore science fiction, fantasy, and horror with a queer bent. We want queer stories and we want trans stories and we want aro/ace stories. We want indefinable stories. We welcome weird, slipstream, and interstitial writing.
Insights
I've sent them five stories and really can't seem to hit what they are looking for.
Details
Jonathan Harker
Nov 1 - Dec 31
Editor: Tucker Christine
Pay: 5c a word
Word range: 1500 -5000
Simultaneous submissions? yes
Reprints? No
Description
What happened on the way from the castle to the hospital in Buda-Pesth? What happens after the story ends? What is his relationship with his son? Jonathan is often perceived and portrayed as impish and weak, but he might just be one of the bravest characters in the book.
Since its initial publication in 1897, Bram Stoker’s Dracula has inspired countless authors to pick up the pen and re-imagine his characters in prequels, sequels, alternate settings, and more.
DBS Press is dedicated to continuing this tradition.
Our flagship journal, Dracula Beyond Stoker, will present the best new fiction based on Stoker’s characters, locations and themes, and sometimes Stoker, himself.
Join us as we celebrate the legacy of a legend.
Submission Hints
We like stories that feel like they could be canon, but we also enjoy fun alternate takes and pastiche. Prequels, sequels, updates, divergent timelines - unleash your creative powers of darkness and show us something exciting .
Sample Rejection
None, I keep meaning to try this market, but fan fiction is not my jam. Still... might be fun to try.
Details
HORROR ZINE
Theme: Space and Science Fiction
Editor: R.Saint Claire
OPEN till Dec 15
Pay: 8 cents per word
Word range: 1500 max
Simultaneous submissions? Yes
Reprints? No
Description
Book Worms is a mail order only zine-- you even have to mail in your subs.
Space and Science Fiction Horror (must have horror elements, not just sci-fi.)
Submission Hints
Open to all HORROR sub-genres. No romance or erotica.
Mail your submissions to: La Regina Studio/Grundy Commons/925 Canal Street/Bristol, PA 19007
Insight
Regina bought one of my stories "What Slays in Vegas" for her very first issue! Learn more about her here:
Creepy christmas gifts!
Three books. Thirteen stories in each from Angelique Fawns and the most talented guest writers she could find.
Details
Literature Expo Contest
Flash Fiction Prompt
Close Dec 31
Pay: $50
Word range: max 700
Simultaneous submissions? Yes
Reprints? No
Description
Have You Ever Thought You Could “RULE THE WORLD” Better Than Those Who Are Now In Charge?
Share YOUR DREAMS for A Better World!
Imagine if in our current world, right now, a Force more powerful than any human put an end to ALL war and violence. Forever.
Where would your characters start in repairing our world from the damage that war and violence have done? How would they craft a better world? How would your characters celebrate and live in the peaceful aftermath?
Flash Fiction Prompt - In under 700 words, create a story of a world in the aftermath of violence, on a new path of peace!
Submission Hints
We encourage you to pursue an imaginative awakening, knowing that all reality starts with a thought –the goal: to be unfettered, to live infinitely, and to find yourself. No matter what age you are, continue to learn, grow and awaken that part of the self that lies hidden in the cerebral cortex, waiting to birth a new creation.
We want you to live a path of creative bravery with us. We consider ourselves “artists in the midst of a new renaissance.” Many have paved the way before us, and we join with all who walk in the realm of creative possibilities. Explore your community, country or inner mind, then send us your creations that fit our Expo categories . . .
We want to foster the artistic essence that you were born with. Show us what your imagination looks like, invite us into your reality and wow us with your radical dissonance. ZO Magazine is excited to be a part of your unique creative journey. Everyone has at least one masterpiece inside.
My Insights
This is a very artsy type project and it took me a minute to figure out what they were all about. You can send in your first story free, but after that they want $.
Details
Literary Magazine
Editor: James Rawling
Open till Dec 31st for spring issue
Pay: $120
word range: 1,000 max
Simultaneous submissions? yes
Reprints? No
** You can also submit prose at a higher word count, but there is a fee
Description
Why the name Chestnut Review?
The chestnut blight that wiped out 4 billion (billion!) trees in North America in the early years of the last century didn’t kill the stumps. So when those trees were cut down, in many places the stumps still send up young shoots over and over, and when they get old enough, the blight hits them and they die. And yet they send up another. And another. Sustaining a creative practice requires that level of tenacity. Artists persist despite rejection, the intrusions of real life, the bills that must be paid, the jobs that must be done before any art can be created–that’s the best kind of stubbornness. A stubborn belief in your own worth, in the art of your hands, eyes, and mind.
We are here for you, our stubborn creators. Welcome.
Submission Hints
They take prose, poetry and flash
Mixed-genre/mixed-media: We love mixed-genre and mixed-media pieces! If you have work that doesn’t fit neatly into the below categories, that doesn’t mean we won’t want to see it. Choose the most appropriate and include a note—we’ll figure it out.
Personal Insights
Definitely a lit magazine, and the stories I've read are either deeply personal or do some wild things with form.
Note that they insist on single-spacing
Details
Editor: William Dempsey
Issue 6
Open: till dec 15
Pay: $5 per 1000, up to a max of $30
Word range: 1500-10,000
Simultaneous submissions? Yes
Reprints? No
Description
Propagule is a literary magazine, founded in 2022..
Propagule champions experimentation, transgression, and aesthetic novelty..
Propagule is engrossed by narrative, style, and form..
Propagule rejects the literary/genre divide..
Propagule is Speculative Surrealism. All good writing is literary.
Propagule releases new issues biannually, featuring a carefully selected entourage of original fiction. Also published: interviews with artists, essays, and other nonfictional ideations (Musings); flash fiction (Motes); and visual art (Scrawls).
Submission Hints
We are looking for:
\\ atypicality \\ unexpectedness \\ unreality
\\ defamiliarization \\ intrepidness \\ transgression
\\ escalation \\ unrest \\ alienation
\\ disassociation \\ lyricality \\ hypnosis
\\ Speculative Surrealism
While we are interested in abstraction and experimentation, we prefer stories that involve event-progressions or narrative development.
We are excited about stories that have traditionally not been considered literary, such as science fiction and fantasy.
Insight
None, and the pay is a bit low, but wow is the art and look of this website is fantastic.
Details
Editor: Rebecca Treasure
June FLASH FICTION
Theme: tba
Open: Dec 7- Dec 31
Pay: 8 cents per word
Word range: up to 1000
Simultaneous submissions? No
Reprints? No
Description
Apex Magazine focuses on dark and spectacular science fiction, fantasy and horror. Publishing bi-monthly, it used to be called Apex Digest and has been nominated for several awards. It went on hiatus for a while, but is back in business and accepting submissions.
Submission Hints
Apex Magazine is an online zine of fantastical fiction. We publish short stories filled with marrow and passion, works that are twisted, strange, and beautiful. Creations where secret places and dreams are put on display. We publish in two forms: an every-other-month eBook issue and a gradual release of an entire issue online over a two-month period. Along with the genre short fiction, there are interviews with authors and nonfiction essays about current issues. Additionally, we produce a monthly podcast of narrated original short fiction.”
Insight
I took a flash fiction class with Rebecca and it was outstanding. Learn more about the flash fiction editor at APEX.
I also roped the man who owns this fantastic dark magazine company into answering a few questions. Ps. I just took his class on tone in short fiction and learned about a whole new layer of story telling. https://www.apexbookcompany.com/collections/online-workshops
helpful christmas gifts!
The Happiness Tool
A Daily Inspirational Quote. 10 Point To-Do List. Gratitude Practice . A place to focus on the BIG GOAL.
$10
It Starts Today
When I started using these journals, I found WAY more time to write. Plus I focus everyday on "becoming a successful author." $10
Details
Deadline: Jan 15th
Editor: Nikki Baird
Pay: $20
range: 250-7000
Simultaneous submissions?No
Reprints? Yes 2c a word
Description
Electric Spec has been around for over 11 years, don’t use slush readers, and pride themselves on giving every story they publish a good edit. They define themselves as: “Electric Spec is a not-for-profit speculative fiction magazine published four times per year. Our primary goal is getting great speculative fiction into the hands (or screens) of readers. Since 2005, we've been publishing short stories from authors all over the world. We've worked with all kinds of authors, from published professionals to new writers. We also believe in the value of the editorial process, and we edit every story we publish.”
Submission Hints
A note on our editorial policy: before publication we may work with the author to edit the story for length or readability. However, we always remain true to the spirit of the story and the author has final approval. We consider any story between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres. We do not consider poetry, stories with over-the-top sex or violence, serials, novels, fan fiction, or non-fiction. We don’t accept multiple submissions; in other words, only submit one story at a time and wait for a response before submitting another. We accept simultaneous submissions as long as you let us know up front and tell us as soon as it’s accepted elsewhere. We do not publish reprints, including anything that has appeared on a website.
Sample Rejection
I’ve sent six stories to this publication and one was held for consideration but ultimately rejected. My responses took around four weeks.
Details
Editors:Josh Strnad & Jose Cruz
Nov 1 - Jan 1
Pay: 1 cent per word
word range: up to 5000 sweet spot 2500-3000
Simultaneous submissions? yes
Reprints? No
FIRST ISSUE SLATED FOR APRIL
Description
Cozy horror. Fun horror. Classy horror. Dare we say, wholesome horror?
Oxymoron? We don’t think so. One place you can start your exploration of this idea is an article from Nightmare Magazine penned by one of our co-founders.
But perhaps the easiest way to understand what we mean is to read stories by some of the old masters we love: Ray Bradbury, Charles Beaumont, Richard Matheson, Robert Bloch, Roald Dahl. Watch classic episodes of Thriller, The Twilight Zone, and Night Gallery. Read old horror comics. Listen to radio dramas like Suspense, Quiet, Please, and Inner Sanctum Mysteries. Consume enough vintage horror, and you’ll probably begin to get an idea of the type of thing that’s likely to appeal to us.
In short, we’re looking to provide a space for a type of storytelling that has largely gone out of style – dark and scary, but playful and approachable with an emphasis on plot. To clarify further, here’s a list of things we want and things we don’t, which may help you hit the sweet spot.
Submission Hints
THINGS WE LOVE:
Stories with a moral core. It need not happen in every tale, but we like to see good prevail (or at least evil punished). Ironic justice, in which cleverly nasty things happen to bad people, as in old EC comics, makes us chuckle with ghoulish delight.
Well-earned twist endings. There’s nothing we love more than a really good surprise or a clever way to subvert our expectations. Pull the rug out from under us and leave us gasping.
High concept settings and situations reminiscent of the pulps. Androids, ghosts, aliens, old castles, vampires, dinosaurs, deals with the devil, mad scientists, Wild West gunslingers, and so on. All are welcome. Give us thrilling adventures dipped in the macabre. Remember – old tropes are great, so long as your story is doing something new with them.
Tales of the fantastic invading ordinary settings. Bring terrible and unpredictable horrors into the suburbs, into our workplaces, into our homes.
Magical realism. Don’t worry too much about explaining how or why strange things happen. We are perfectly willing to accept that they do and move on to the good stuff in the story.
Playfulness and dark humor. We’re not looking for blatant comedy, but a certain level of mischief and glee will go a long way in making your story a fit for SPOOKY.
Classic Americana. Halloweeny hijinks. Campfire stories. Stuff that makes us feel like kids.
Personal Insights
I'm piling up the R's from this mag.
Xtra info: "Fun" will probably be the most unifying feature, though that can look like a lot of things. Imagine going through a really good haunted house, in which the shocks make your pulse race, but don't leave you sad afterward. We're not likely to want anything terribly heavy thematically.
A healthy dose of irony will probably go a long way with us as well, although we're not looking for parodies or jokes.
Details
Anthology: OUR DUST EARTH
Editor: Todd Saunders
Open Nov 1- Dec 31st
Pay: 8 cents per word
word range: 1,000-3,000
Simultaneous submissions?No
Reprints? No
June 1- July 31
Description
We are seeking submissions for an anthology to be titled Our Dust Earth which will collect stories that take place within the Our Dust Earth mini-RPG
link to read the mini RPG - http://aanpress.com/ODE_2025_submission.pdf
Submission Hints
We would prefer Science Fiction genre stories for this anthology, though if you are familiar with Jack Vance's Dying Earth, M. John Harrison's The Pastel City, or Matthew Hughes's Archonate Series, you may know there is a thin line between SF and Fantasy in those narratives.
Personal Insights
I've never played an RGP game in my life. (Not even D&D) But I have sold a story to Todd before for his "We are all thieves" anthology. I LOVE working with him. One of the best indie presses out there, IMO.
Learn more about him and his press by reading my interview with him.
Details
Editor: Jess Carver
Nov 1 -Jan 31
Pay: 3 cents per word
range: 5000 max
3,000 sweet spot
Simultaneous submissions? No
Reprints? No
Description
Dark Hearts is a women-centered theme for which anyone can submit stories. The anthology will feature speculative stories and poems about women who are anti-heroes. Send us your stories about shady ladies: women and female-presenting characters breaking the rules, defying social norms, and getting up to no good!
Submission Hints
Genre: We accept science fiction, fantasy, and horror, and enjoy intelligent blends of the three. Stories and poetry outside these main genres’ will not be considered.
Editor loves: supportive female friendships. Women with a mastery of weapons or powers. Women in STEM or in disguise. Cyborgs. Hackers. Heists. Underdogs. Romance!
Sex, violence and swearing are fine, but execute thoughtfully.
We love creative interpretations of our themes, but require stories and poems to be a solid fit.
Insight
I sent in one tale it was immediately rejected. So, I've sent them another. Stay tuned...
I like this press. I sold a story to one of their anthologies based on a challenge my Dreamcasters worked on. "The Time Modules" is in The Seven Day Weekend.
I was at World Fantasy Con this October and I met the editor of The Seven Day Weekend! Greg Clumpner was such a great character. We were both members of a panel that discussed "Sports in Horror and Fantasy." It was SO MUCH FUN. Mainly due to him... I was terrified, but he has some mad speaking skills.
If you want to learn more about Greg...
Details
Editor: Aaron Schneider & Amy Mitchell
Open for submissions: December 1
Pay $20
Word range: up to 10,000 words
Simultaneous submissions? Yes
Reprints? no
Description
The /tƐmz/ Review is a literary journal based in London, Ontario that publishes fiction, poetry, and reviews. We publish 4 issues per year (Spring, Summer, Fall and Winter), and we focus on publishing work from a diverse range of emerging and established voices. Our goal is to reflect a wide variety of editorial perspectives and publish an eclectic mix of writing.
Submission Hints
We are looking for innovative short fiction from diverse voices. Our preference is for the strange, the experimental and the boundary-pushing, but we are open to a wide range of styles and voices.
My Insights
I haven't submitted here yet, but they have been on my radar for a while. Being Canadian and all.
Details
Upcoming Themes for Consideration
WEIRD- deadline Jan 1st, 2025
The Workplace - Feb 1st
Rot - April 1st
World Horror - May 1st
Eldritch - June 1st, 2025
Publisher/Editor: Kez
Pay: $15 GBP a story
Word range: 2,000
Simultaneous submissions? yes
Reprints? No
Description
The Other Stories podcast is a project by Hawk & Cleaver. I often listen to their creepy short stories when I am in the car.
These aren't the stories your mother used to tell you ... no, these are The Other Stories.
The Other Stories is a weekly short story podcast. A modern take on The Twilight Zone, Tales From The Crypt, or The Outer Limits. Sci-Fi, Horror, Thriller, WTF stories delivered right to your podcast feed every Monday morning.
Submission Hints
"If you think you’ve got what it takes to terrify, scar and haunt our audience of 10,000 daily listeners, then we want your stories!
If accepted, we'll get our fantastic narration team to lend their voices, our editor will sprinkle some magic pixie dust on the track, and you could have your story heard by thousands of listeners each week.”
They’ve even purchased one of my pieces. I wrote a piece about a woman stuck in an immersion chamber in response to a call for stories about “Silence”.
Insights
I sold one story to them many moons ago. I've yeeted more their way, but its like sending them into a deep black void. They say they get back to about your submissions, but I rarely hear a peep after I submit. Like I've had some stories out for over a year and I haven't heard back. Even with pokes. That being said, I love their podcast. The readers are great and the stories are usually pretty good.
Looking to improve your writing?
Check these books out. The Best of the Best and the not so great… all rated for you… https://www.fawns.ca/links/
Details
Shatter the Sun: Queer Tales of Untold Adventures
Submissions: Nov 1- Jan 15
Pay: 8c a word
Word range: 1-4000
Simultaneous submissions? Yes
Reprints? No
Description
Stories of queer heroes forged and tempered in the fire, fighting dark stars and bright suns, and overthrowing tyranny in all its forms. Sword and sorcery, sweat and sandals, souls and stars.
Further vibe-check notes after getting some questions about what we are looking for: We’re probably not looking for stories set on Earth. We’re probably not looking for Indiana Jones-type stories either (though maybe a secondary-world decolonial approach would be cool?).
Submission Hints
We are looking primarily for fantasy stories on the gritty, un-epic side of things. We expect there will be a seam of the occult and cosmic horror running through the book. We’ll also probably include a couple sword and planet stories, but that won’t be the focus. We’re using the most inclusive definition of queer. Queer, trans, ace, undefinable. Throughout, we’re looking for rich, varied and nuanced understandings of gender, family and ethnicity.
My Insights
They are running a kickstarter for this and as of today (oct 28) they have raised around half of their goat of $22,942 cdn. If you want to learn more about the Kickstarter... https://www.kickstarter.com/projects/davering/shatter-the-sun-queer-tales-of-untold-adventure
Details
Editor: Cassia Gaden Gilmartin
Fiction subs close end of Dec
Pay: max 350 Euros, min 50 Euros
Word range: 6000 max
Simultaneous submissions? No
Reprints? yes 1c a word
Description
Channel’s aim is to provide a home for Irish and international writing that contributes to building rich, mutually sustaining relationships between human beings and the natural world. In all uses of the word, a “channel” exists to facilitate connection – to allow something, whether it be water, an electronic signal or a spirit, to pass through or towards something else. This journal exists to provide a passage through which ideas about human relationships with our environment, expressed and embodied in creative work, can flow.
Submission Hints
Channel is a literary magazine born out of the climate crisis, publishing poetry and prose with an environmentalist perspective.
We believe that humanity’s disengagement from the natural world is one of the great losses of our time, and in the onslaught of climate change we see that disengagement reaching its inevitable conclusion. If Ireland’s history of myths and stories woven from the landscape shows anything, though, it’s that the literary arts have a part to play in rebuilding our relationship with nature.
Our goal at Channel is to provide a space for literary work that fosters re-connection with the natural world. We publish work from Ireland and abroad that displays and celebrates the relationships between plant and animal life, landscape and humanity.
We want words that act as a path, a safe passage wide enough for ideas to flow through. We want words that join human beings and our habitats together.
Insight
Please submit your work as a Word document or PDF attachment to the relevant email address as listed below:
Essays/Non-fiction – essay@channelmag.org
Fiction – fiction@channelmag.org
Poetry – poetry@channelmag.org
ANON subs
Details
Editor: E. Catherine Tobler
Fiction subs close end of Dec
Pay: 10 c a word
Word range: 5000 max sweet spot 3-4k
Simultaneous submissions? No
Reprints? yes 1c a word
Description
The Deadlands exists in liminal spaces between life, death, and elsewhere. We are looking for speculative fiction that concerns itself with death–but also everything death may involve. A ghost in a shadowed wood. An afterlife discovered through a rusted door. An abandoned house in the middle of a haunted field. A skeletal figure moving with intent toward something unseen. Death personified. Burials in troubled lands. A raised scythe against a clouded sky. Memento mori. The rivers of the dead. The sprawling underworlds beneath our feet.
The Deadlands would love to see stories from a worldwide perspective, different cultures, different approaches to death. We welcome stories from everyone, everywhere. Stories that feature characters impacted by someone passing away and processing the event of death, are fair game, but will likely be a hard sell. Stories about related subjects—zombies, demons, vampires, apocalypses, and the various undead—are not for us. An apocalypse may be your setting, but it isn’t your story. We are absolutely not interested in seeing weird West stories, steampunk tales, or military fiction. We are not interested in stories involving Lovecraft’s mythos. Humor will be a harder sell than heartbreaking. If your story begins with someone waking up, it is not for us.
Submission Hints
We are never far from death—Dante reminds us. It is always there, just out of sight, around the bend in the road. The faraway nearby, Rebecca Solnit says. We could step past a tree in that wild forest and be there. Where? The Deadlands.
The Deadlands is a monthly speculative fiction magazine. We publish short stories, poems, and essays about the other realms, of the ends we face here, and the beginnings we find elsewhere. It is an adventure into the unknown, to meet those who live there still, even though they may be dead. Death is a journey we all will take, but we’d like to peek at the map before we go.
We are generally open to fiction and nonfiction submissions, except for a year-end holiday closure. Poetry submissions are open the first two weeks of every month, resuming in February 2022. Explore our guidelines and read our issues to see what we’re publishing and if your work might fit.
Insight
I've sent in 12 stories. I've got 12 rejections. I met the publisher of this magazine at World Fantasy Con. Sean Markey was a wonderful host for our Koffeeklatsch. He has some big new projects in the works and he is doing some unique things with fiction and music... keep an eye out on his website! Meanwhile. Keep subbing your stuff about death. (Not murder stories, not gore. Contemplative stuff about the nature and meaning of death.)
“Brilliant list. Love your insights."
Danuta E. Raine
Join my substack at https://angeliquemfawns.substack.com for additional calls! I will keep updating all the new amazing opportunities I find via email right to your inbox.